Historic object

I am doing my historical object research on clay pot from Latvia. The colours  tones and mix inspires me because the colours are very organic and rich. The patterns on pots are simple but interesting and it’s interesting to study the different symbols on the pots because later on I can make them in to patterns and bring them in to my knitted patterns, printed textiles or just painted patterns e.t.c.. The colours and the symbols reminds me of Latvia and I think the Latvians clay milk jugs is really good way how to represent Latvia and even the different parts of Latvia.

Neolithic pottery : Comb Ceramic culture ( 3400th – 2300th g. Pr. Kr. ) Pots. Photographer Baiba Dumpe, Latvia

In the Latvia crafts as pottery existed since the 10th century. The first pottery’s wheel was brought in to the Riga, capital of Latvia. The first pot shapes and colours were same as anywhere in world. As the production grown and people was asking for more equipment so the pots was used in farms.

As years gone pass people in Latvia stared to make them in different shapes and colours. As Latvia always been divided in four different parts, Zemgale – , Latgale – , Kurzeme – and Vidzeme – , each part had their own symbols and they used to put them on any production what they produced in each part. So to mark the pots they learned and started to put the symbols on the pots.

After First World War in 1918 when Latvia got there freedom back all the farms got really productive the ceramic was produced more and more. As there were people who were just working on ceramic, it becomes much more artistic. They even made special milk jug. One really known ceramic artist is Jēkabas Drandams. The Milk jug came in different colours and they still had the unique symbols on it. For long time milk jugs was really known and used in Latgale – , But in bigger places around Riga the milk jugs were made smaller and just a bit different in shape and used as beer cups.

17_Mala_trauki

Milk jugs that been used in daily life

After the Second World War Latvia was taken over by Russians everything artistic in Latvia was stopped including ceramic. Then after 60 years the ceramics stared to come back but it wasn’t as it was before the war. There were still people who made ceramic for farms but these pots weren’t big symbols anymore. The most popular and artistic pots was put in museums but the ones which was used in farms was just as other equipment in household.

Jolanta's un Valdis Dundeniek's workshop pots. By Dundeniek's exhibiton,  Berzpils ,Latvia, 05/2014

Jolanta’s un Valdis Dundeniek’s workshop pots. By Dundeniek’s exhibiton, Berzpils ,Latvia, 05/2014

Know some of very old pots can be vied in Latvian museums. In museums like ‘Ogres Muzejs’ Ogre, Latvia and ‘Turaidas Muzejrezervats’ Sigulda, Latvia there in displays are some original pots which been made and used before First World War. In many more museums there is some symbolic pots and jugs but there are not as original as before there wars.

Exhibiton from ‘Turaidas Muzejrezervats’  in Sigulda, Latvia museum - Clay ppts from 19th cen. By  ‘Turaidas Muzejrezervats’  museum 2012

Exhibition from ‘Turaidas Muzejrezervats’ in Sigulda, Latvia museum – Clay pots from 19th century. By ‘Turaidas Muzejrezervats’ museum 2012

 

Bibliography:

About Me

          

My name’s Daina Groza and I come from a small country south of Finland called Latvia. I am currently studying Textile Design at DeMonfort University. Previously to that I studied a fashion Course at Leicester College and then furthermore, an Art & Design foundation course to improve my drawings skills along with other techniques.

My visit to my home country. Riga - the capital of Latvia. By Daina Groza, Riga, Latvia, 09/2014

My visit to my home country. Riga – the capital of Latvia. By Daina Groza, Riga, Latvia, 09/2014

 During secondary school it was compulsory to study textiles as a subject, which I particularly enjoyed. I moved to the UK in 2009 at the age of 14. With very little understanding of the English language I was instructed to part take in practical subjects such as art and textiles. My favourite area of expertise is knitting.

In my free time I like to make knitted toys. By Daina Groza, Leicester College, Leicetser, 05/2014

In my free time I like to make knitted toys. By Daina Groza, Leicester College, Leicetser, 05/2014

 

 I like to experiment with different techniques and materials. I use lots of bold and bright colours to create vary effects that will stand out.

My observation and Interpretation Studio work created using inks and bleach. By Daina Groza,DMU, Leicester, 09/10/2014

My observation and Interpretation Studio work created using inks and bleach. By Daina Groza,DMU, Leicester, 09/10/2014

 My main inspiration is my godmother, Valentine, who lives in the quiet countryside in Latvia. Her profession was multi language teacher for teenagers. In her spear time she enjoys drawing, sculptures building and experimenting with textiles. Her primary materials would be reclaimed, recycled materials she would find and use them in her sculpture building, demonstrated in image below.

Some of my Grandmother's sculptures, her front garden decorations. By Daina Groza, Aglona, Latvia, 09/2014

Some of my Grandmother’s sculptures, her front garden decorations. By Daina Groza, Aglona, Latvia, 09/2014

 

Another muse of mine and too many others is Sandra Backlund, fashion designer from Stockholm. She has a very distinctive style using bold and chunky knitting techniques.

The collection from Sandra Backlund, “Ink Blot Test. photo by Peter Farago, June 15th, 2007

The collection from Sandra Backlund, “Ink Blot Test.photo by Peter Farago, June 15th, 2007

Bibliography